Marketing and Communications Manager
Great Lakes Theater
January 17, 2016
CLEVELAND, OH - Great Lakes Theater (GLT), Cleveland’s Classic Company, commences the second half its 2016-17 season with Agatha Christie’s classic mystery thriller, And Then There Were None. The production will be performed in the company’s intimate and audience-friendly home at the Hanna Theatre, Playhouse Square, February 26 – March 20, 2016. Charles Fee, GLT’s Producing Artistic Director, directs the production. And Then There Were None is presented through special arrangement with SAMUEL FRENCH, INC.
Generous production support for And Then There Were None was provided by Lubrizol. Great Lakes Theater is also supported in part by the residents of Cuyahoga County through a public grant from Cuyahoga Arts & Culture. Season support is provided by The Cleveland Foundation and the Ohio Arts Council. Media sponsors for GLT’s 54th season are The FORM Group, Ideastream (WCLV 104.9 FM and WCPN 90.3 FM) and WKSU 89.7 FM.
Agatha Christie’s And Then There Were None is an intense and darkly gripping mystery. When a group of ten strangers, lured to a remote English island, discover that their eccentric millionaire host is missing – mysterious machinations are set into murderous motion. Stranded by a torrential storm and haunted by a clue-filled nursery rhyme, one by one the guests begin to meet gruesome and untimely ends. With only the fallen believed innocent, who remaining among them is the killer? Based on one of the best-selling mystery novels of all time, this thriller has captivated audiences since its inception in 1939.
For Great Lakes Theater, And Then There Were None’s director Charles Fee most recently helmed critically acclaimed productions of Dial “M” for Murder (2015), Deathtrap (2014) and Noël Coward’s Blithe Spirit (2013). Other GLT productions include Romeo and Juliet (2012), The Two Gentlemen of Verona (2011), A Midsummer Night’s Dream (2010), Twelfth Night (2009), The Comedy of Errors (2009), Macbeth (2008), All’s Well That Ends Well (2008), Hamlet (2003), Hay Fever (2007), The Importance of Being Earnest (2004), Arms and the Man (2003)and The Complete Works of William Shakespeare (Abridged) (2004 & 2011). Fee holds a unique position in the American theater as producing artistic director of three independently operated, professional theater companies: Great Lakes Theater in Cleveland, Ohio (since 2002), Idaho Shakespeare Festival in Boise, Idaho (since 1991) and Lake Tahoe Shakespeare Festival in Lake Tahoe, Nevada (since 2010). His appointments have resulted in a dynamic and groundbreaking producing model for the companies, in which over 50 plays have been shared since 2002.
Great Lakes Theater’s acclaimed home at the Hanna Theatre features a visionary“Great Room” inspired design that integrates the artist and audience experience into a single unified environment. Hanna patrons select from a variety of seating opportunities including traditional theater seats, club chairs, lounge/bar seats, banquette couches and private box seating. Arranged in an intimate 550-seat thrust configuration where the audience surrounds the stage, no seat is further than 12 rows from the performance.
Great Lakes Theater offers patrons a robust series of Experience Enhancement Programming that is organized by day of week. The series highlights the Hanna’s unique amenities and affords access to artists.
· “Director’s Night” offers audiences the opportunity to take part in a lively pre-show discussion with GLT’s Producing Artistic Director, Charles Fee before the Friday preview performance. (Offered: Feb. 26)
· “Salon Thursdays” feature an engaging pre-show discussion/presentation beginning one hour before curtain with a Great Lakes Theater artist. (Offered: March 3, 10, 17)
· “Happy Hour Fridays” afford audience members the opportunity to gather, socialize and enjoy appetizers or beverages for sale in the Hanna’s bar and lounge beginning ninety minutes before the performance. (Offered: Feb. 26 & March 3, 10, 17)
· “Playnotes Pre-Show Discussions” inform patrons with illuminating introductions to the content and history of each play in GLT’s season presented by a guest scholar before Saturday matinee performances. (Offered: March. 5, 12, 19)
· “Nightcap Night Saturdays” are designed to encourage audience members to stay after the evening performance and mingle with the GLT artistic company in the Hanna’s lounge. The Hanna’s bar is open ninety minutes after Nightcap Night Saturday performances.” (Offered: March. 5, 12, 19)
· “Ice Cream Social Sundays” offer patrons the opportunity to enjoy a London theatre tradition brought state-side. Audience members are invited to purchase a cool, personal ice cream treat before the show or at intermission. Ice cream will be offered at every performance in Deathtrap’s run, but on “Ice Cream Social Sundays,” the treat is half price. (Offered: Feb. 28, March 6, 13, 20)
Great Lakes Theater will continue to afford patrons extraordinary access to its artists and production process at every Hanna Theatre performance of And Then There Were None. The Hanna always opens its doors ninety minutes before each performance allowing patrons to observe the complete pre-show preparation process of GLT’s actors and technical staff. Elements traditionally hidden from audiences such as stage combat rehearsals, dance calls, prop/scenic pre-sets, technical cue rehearsals and actor warm-ups will be conducted in full view of patrons, offering GLT audiences an unprecedented glimpse into the theatrical process.
Great Lakes Theater will also renew its New Deal pricing initiative this spring - designed to increase accessibility for audiences. As part of the program, adult tickets begin at $15 and student tickets for any seat at any performance are $13 - making GLT one of the most affordable entertainment options in the region.
The Opening Night (also Press Night) performance of And Then There Were None is scheduled for Saturday, February 27th. A preview performance is scheduled for the preceding Friday night evening (February 26th). Curtain times for all evening performances will remain at 7:30 p.m., with a 1:30 p.m. curtain time for Saturday matinees and a 3:00 p.m. curtain time for Sunday matinees.
Single performance tickets range in price from $15-$70 (Student tickets are $13) and are available by calling (216) 241-6000, by ordering online at GreatLakesTheater.org or by visiting the Playhouse Square Ticket Office. Groups of ten or more receive discounts of up to 25% by calling (216) 241-5490 x302.
Great Lakes Theater, the first resident company of Playhouse Square, has brought the pleasure, power and relevance of classic theater to the widest possible audience since 1962. On its main stage and through its extensive education programming, Great Lakes Theater positively impacts the lives of over 100,000 adults and students annually.
And Then There Were None